Dandenong Ranges Who's Who
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My approach is simple: Strategy first. Structure next. Then the loan. I focus on understanding each client’s circumstances and comparing suitable lending options to help them make informed decisions.
I’m also interested in supporting local communities, businesses and residents through useful information, professional connections and community engagement.
With access to more than 35 lenders, Anil helps first-home buyers, homeowners, property investors and self-employed borrowers explore suitable lending options. Services include home loans, refinancing, investment property finance, construction loans, guarantor loans and complex lending scenarios.
Every borrower's circumstances are different. Anil takes a strategy-first approach, considering individual goals, income, financial commitments and lender requirements before comparing suitable loan options.
Strategy first. Structure next. Then the loan.
Contact Anil Dadlani at Mortgage Choice to discuss your home loan options.
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Distinguished and Famous people from Dandenong Ranges
🎨 William Ricketts
Sculptor William Ricketts created an unusual artistic landscape at Mount Dandenong, placing figures among ferns, trees and rocks. His sanctuary reflects his personal spiritual ideas and admiration for Aboriginal cultures, expressed through his own artistic interpretation. Paths through the forest reveal sculptures integrated with the surrounding vegetation. The place preserves a sustained creative project rather than a conventional gallery display. Its distinctiveness comes from that close relationship between the setting and the work, with the mountain landscape becoming part of the composition.
Ricketts bought his forest land at Olinda near Mount Dandenong in 1935. In 1961 he agreed to transfer it to the Victorian Forests Commission but remained there, with a new house, studio and kiln provided for his work. The sanctuary opened in 1964. That arrangement helped sustain the unusual combination of home, workshop and outdoor exhibition, where paths through the trees became part of experiencing the sculptures. It also gives the local story a practical chapter of land ownership and continuing work, alongside the personal environmental and spiritual concerns already visible in the art.
